Let us go then, you and I..., Projection Mapping, November 2015
As part of Tone Deaf 14
, a projection show was performed by Decomposing Pianos at the Isabel Bader. For this performance, custom code was developed to map the
wooden panels behind the main stage. Each panel became a window in which to stitch together scenes and visual effects or carousel imagery throughout the venue.
The Hollow Men, Projection and Dance, June 2015
This project features T.S. Elliot's 1925 poem The Hollow Men as
read in unison by by a trio of computer voices. The
audio was produced slowly over the month of April, the accompanying video in May.
The performance was conceived and choreographed by
and featured dancers Helena Marks, Meredith Dault and Tracey Guptill.
It was performed in June as part of Chipped Off's Waste Away at the Black Box Studio Theatre
within the Isabel Bader.
Regression, HTML5 live performance, November 2014
We are ancient machines inhabiting an ever changing infrastructure.
Our society is evolving thanks to advancements in technology and yet
as human beings we are still much like our ancestors from centuries ago.
Scientific evidence suggests our mitochondria are ancient bacteria living
symbiotically within us, and perhaps guide our animalistic instincts.
We require basic human fulfillment through our friends and loved ones.
We are prone to day-by-day changes in the weather, climate change and natural events.
As such, the sky in this project is depicted as a bacterial colony, our ancient selves.
The noise our collective consciousness, reacting in real time to ever changing stimuli.
Our modern world is an unstable sliver in our timeline as a species, forcing us to contend
with our future selves. In one scenario, we collectively reach beyond what we as
humanity thought we are capable of. In another, we destroy ourselves and are replaced with
Cognitive Dissonance, 3D live performance, August 2014
This live code performance took place at the
as a visual 3D mixer for clips of spoken word on the meaning of music, as collected by my friend and colleague Chris Trimmer.
3D space is navigated using
three.js pointer lock
controls. Audio is emitted using webAudio panner nodes,
each surrounded by a large flat disk. Sound emanating from within the disk is not audible outside the disk.
A strong prevalent drone exists throughout the scene,
originating from the top of a central tower. Each disk is mixed based on the position of the user. Other
audio effects are also employed, such as a low pass filter when below the randomly meshed floor.
HTML5 Visualizer with MIDI Input, Video, April 2013
This visualizer was originally intended to present chords and tones for the Decomposing Pianos project
An interactive piano keyboard was made using HTML5 canvas such that sounds could be played and portraits displayed.
on the piano keyboard. A third party
was implemented to directly trigger the piano keyboard resulting in this
as screen captured in Firefox 19 using HTML5 Canvas and Audio.
Decomposing Pianos, Experimental, 2009 and onward
Decomposing Pianos was formed in 2009 with
after an old piano resting in our backyard. The action was stiff and unusable,
so we removed it and painted the strings for its centennial anniversary. Projects include
as well as the Piano Trilogy:
The Decomposing Piano,
Languishing Bellows, and
Noise of the Modern Day World.
Below is a
on how this came to be, commissioned by NAISA's
Deep Wireless Festival
o1sound, Radio Blog 2008-2009, 2012
o1sound was an hour long weekly radio
show broadcasting live from
CFRC 101.9 FM, Queen's University Campus Community radio
during the summer of 2008 and 2009. During the week I recorded incidental events in my life, edited them, and played them back
every Tuesday morning at 10:06.
The show was a mix of field recordings, hosting, interviews and music. In 2012, the highlights from this show were
TimKnightUs, Experimental, 2007-2009
TimKnightUs started as
an outlet for experimental music and sound design between friends. When one of its members moved to the
West Coast, concerts were performed through Skype as a way of maintaining our long distance relationship. TimKnightUs is about
technology bringing people closer together even as they drift further apart. It is about hanging on when all sensible logic tells you
it's over. It is about love, friendship and experimental music.
Ethrington Performance, Solo Piano, June 22, 2008
The Agnes Etherington Art Gallery at Queen's University has a Steinway you can play on weekends.
One hot afternoon on the summer solstice I paid them a visit.
There were two other people in the climate-controlled gallery, and they took to listening near the end of
the performance. The piano was captured using a field recorder and broadcast the following Tuesday on
CFRC 101.9 FM
as part of
Disassembly, Experimental, November 25, 2007
Tone Deaf, an experimental music festival in Kingston, Ontario
organized Disassembly, the slow dismantling of a piano while being played. Performed with
Paul Saulnier and
Sean One of Vintage Records.
Results of Hermitting, Piano and Voice (tape), March 2006
Recorded at a cottage on Buck Lake in early spring. An upright piano is played between skating and wondering
in the woods. Two microphones are connected left and right to the channels of my grandfather's tape deck.
First experiments in singing since TCC.
Live at the Common Ground, Solo Piano, March 2001
Recorded at the Common Ground Café, Queen's University a month before graduating from Applied Science. A grand piano is moved to the second floor for the occasion.
All playing recorded to minidisc. Cover illustration by Adam George. Passively still looking for a minidisc player.
The Whispering Gallery, Solo Piano, October 1998
The Whispering Gallery was recorded after moving away from home, capturing adolescence.
The painting on the cover is Bespoken by
the jacket design by Don Fernley, Art Director, McClelland and Stewart Ltd. as well as Fernley & Hesse Art and Design. The album is recorded in Peterborough, Ontario on a grand piano by Paul and mastered at
Silverbirch Productions, Toronto.